A Day in the Life of Ed: 2pir Testing

Filed Under Body Modification, Fire, Fire Art, Personal | 2010-03-02, 20:27

The following is my “extra credit assignment” for the BME World Tour. Thanks to everyone for their support, I’m one of the 9 finalists!! We were asked to do a video, photos, and blog post of our day in order to pick the final 4 (or 5!) people who get to travel the world.

When I got word that I was in the top ten finalists, my heart skipped another beat. Closer and closer to a trip around the world. I could feel my passport tugging on my sleeve, “can we go!? can we go!? please please please!”, but I calmly explained to my anthropomorphized government document that the decision was not up to me. I still had one more assignment to prove I was worthy of such a trip: a blog entry, video, and photos of a day in my life. Luckily the next day had potential to be interesting enough to share with the Internet.

My day started with my fiancée, Heather, waking me up early with the video camera rolling. It was one of those cherished beautiful San Francisco days where the sun was shining and it was actually warm. In between my half-awake grunts, she said goodbye as she was off to hike around Alamere Falls with friends. Shortly after she departed, I crawled out of bed and made myself a gourmet breakfast of Lucky Charms and soy milk. A quick shower and shave and I grudgingly sat down in front of the computer to do some work. The curse of working for yourself is that every day is a possible workday. Luckily addressing my emails and other chores only took about 2 hours this time and I was soon out the door.

Down the three flights of stairs with a laptop, camera, and flip video in tow; I jumped into my car and trekked across the Bay Bridge to Oakland. I was headed to NIMBY, an industrial art space in south Oakland, to work on one of Interpretive Arson’s fire art pieces, 2pir.

For those not familiar with it, 2pir is “a blisteringly interactive large-scale fire toy”. It consists of two circles: an inner circle fitted with motion sensors and an outer circle comprised of 16 large flame effects. When a participant waves their hands, feet, or any other body part over the motion sensor it triggers a large column of flame. While on the inner platform, many people perform their best sorcerer imitation, summoning fire with their hands, while others choose to dance and twirl around, flames following their movement. The beauty of the piece is that the performance is different everytime.

2pir was designed and built by Interpretive Arson, a Bay Area fire art group that I’m a member of. It was originally built in 2006 and has since undergone several upgrades. This year it’s time for another one of those upgrades as the ignition system was no longer up to our standards for reliability. In addition, several components needed to be upgraded in preparation for our second international run in Denmark later this year at Smukfest.

The previous day we had spent some time finalizing a design for new flame effects and built a single prototype for testing. We wanted to make sure one new flame effect worked successfully before building the other 15. Today it was time to actually test this prototype and see how well it performed.

We dragged the prototype outside, hooked all the plumbing up to a tank of propane, plugged in the electronics and hit the switch. The resounding sound of combustion echoed off the walls of the warehouse. Success! But it wasn’t perfect. Ignition wasn’t 100% reliable and we wanted the best shape of fire we could get. After a period of tweaking, adjusting, and experimenting we were mostly happy with what we had. We made a quick run to Home Depot to grab a few materials and then stopped off for some burritos to refuel ourselves.

Back at NIMBY, the sun had set and the darkness of the seemingly deserted industrial section of Oakland was just asking for some noise and light. We fired the flame effect back up and enjoyed lighting up the yard and bouncing the percussive sounds of explosive propane combustion off the walls. After a bit of fun it was back to work: grinding, cutting, drilling, and welding the frames for the new effects.

The work went late into the night before we all decided to call it a day and I headed home. The late night drive across the Bay Bridge on the way back into San Francisco is always one of my favorites times. The bridge is relatively empty and all lit up, as are the downtown skyscrapers and streets of San Francisco. It’s a great time to turn up the music, coast over the water, meander through the empty city streets and clear my mind. My ritual-like return home always includes a hot shower before sleep and this night was no exception. After climbing into bed with Heather, the echoes of our controlled explosions rang in my ears as I drifted off to sleep.

A selection of photos: 20100228-2pir Testing

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Dance Dance Immolation on Boing Boing Video

Filed Under Fire Art, Video | 2009-05-27, 14:34

We’ve been boing-boinged a second time for Dance Dance Immolation. The first was back in 2005 when DDI was in it’s infancy. Fast forward 4 years and this time DDI is a bit more polished. BB has a video put together by Eddie Codel, hosted by SFSlim and Charis Tobias and starring the various members of Interpretive Arson. Yours truly is in it for only a moment, but it’s one of those most wonderful moments where Rubin and I are hitting the buttons that makes the fire go! The video was all filmed during our setup and run for How To Destroy The Universe Part 6.

You can check out the official post on Boing Boing.

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DDI at How To Destroy The Universe Part 6

Filed Under Events, Fire, Fire Art, News, SF Bay Area, Video | 2009-04-27, 17:25

Dance Dance Immolation - Inches from fire

On Saturday, we pulled Dance Dance Immolation out of storage for the first time in almost two years, dusted it off and got it running again. The event was “How To Destroy the Universe Part 6”, an industrial party held at the new NIMBY location in Oakland. We ran one of the longest and most problem-free runs in the history of DDI. BoingBoingTV came and filmed and we had a chance to shoot the infamous sfslim with fire. We also got to shoot fire at several Noisebridge members, the newest blogger for Laughing Squid (Burstein), and a bunch of others. Many photos and videos were taken. My photos can be found in this Flickr set and this album on Vimeo.

If you’ve never seen Dance Dance Immolation, here’s what it looks like in action:

One of my personal favorite photos of the night was captured by Audrey while I was practicing my Fire Art DJ skills:

More photos and videos:

Dance Dance Immolation on Forbes.com

Filed Under Fire Art | 2008-07-25, 15:17

As many of you already know, Dance Dance Immolation is a project from Interpretive Arson, a fire art group I’m part of. It was originally built by a talented group of friends and is now maintained and improved by a number of people. We try to bring it out a couple times a year to run and show it off. Every now and then this results in some press. Occasionally we’ll get some random out of the blue mention in an article somewhere. The latest is a small blurb in a Forbes.com article entitled “Geeks Get Their Game On”. It’s an article about the different and unique games and activities geeks engage in these days. Here’s the blurb on us:

For those that like their fun with a frisson of fear, there’s “Dance Dance Immolation,” a game that pairs the hit music videogame “Dance Dance Revolution” with balls of flame. Participants boogie along with the game–a kind of Twister set to music–while covered in firefighter gear. Missteps activate blasts of fire, often to the face. The brainchild of Interpretive Arson, a California-based “fire art troupe,” DDI is mostly played at outdoor festivals.

It’s always cool to see DDI/IA in the news somewhere, and the kicker for me in this case is that Forbes decided to run my photo (original on flickr) with the article.